"A Tale of Legendary Libido" (Garoojigi), directed by Sin Han-sol, is loosely based on "Byeon Gang-soe Tale", one of the most notoriously decadent and sexually provocative theatrical songs which took its current form in the late 19th century.
Byeon Gang-soe is a Joseon-era version of Austen Powers, as he has an amazing sexual energy. The original tale, transmitted by word of mouth, was documented and extensively edited by Shin Jae-hyo (1812-1884). Many of the explicit sexual descriptions were cut out in the process; nevertheless, the extant version contains imagery and expressions that are shockingly frank about sexuality, even by today's relatively liberal standards.
The challenges facing director Shin were obvious. First, the highly inflated and exaggerated metaphors throughout the risque story could not be easily revised for mainstream moviegoers, including some adults who are not familiar with the sex comedy genre. Second, the theme has been adapted for the big screen several...| More
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'The Show Must Go On' a vehicle for Korean star's amazing talent
Kyu Hyun Kim (qhyunkim)
Kang In-gu (Song Kang-ho, "The Host", "The Secret Sunshine") is a middle-rank boss of a criminal gang. Recently, he is suffering from chronic fatigue, taken to falling asleep while caught in a traffic stop. His business is not exactly booming. His attractive wife Mi-ryung (Park Ji-yeong) has had it with his broken promise to open a fruits and vegetables shop after washing his hands from racketeering and extortion business. His equally attractive teenage daughter Hee-soon (Kim So-eun, "Someone behind Me") wishes he were dead. His supposed colleague Sang-jin (Yoon Je-moon, "The Host", again typecast as a mean thug) is looking for a chance to stick a knife in his gut, both figuratively and literally. The only sympathetic figure around him appears to be his childhood buddy Hyung-jin (Oh Dal-soo, "Old Boy") who now works for a rival gang.
"The Show Must Go On" comes at the end of the cycle of i...| More
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Surefire hit maker Song Kang-ho is back with a new film _ however, it is a gangster film, a genre that is now regarded as trite.
He said that the new film, "The Show Must Go On", is different from other gangster films as it sheds light more on a man, a family man, rather than a member of a criminal gang.
"I tried to do my best to show a man in an ordinary world, rather than in a criminal circle", Song said Monday during a news conference at the Lotte Cinema in Chayang-dong, Seoul. "This man wants to lead an ordinary life with his family but his job makes it impossible".
Directed by Han Jae-rim, the film revolves around Kang In-gu (by Song) in his 40s, who is a gangster but dreams of living in a rural area peacefully with his family. But his agony begins as his life begins to unravel.
To successfully create and play his character, Song drew on his personal life.
"My character in the film resembles me in many ways. As a man in his 40s, I'...| More
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"Once In a Summer" is shaping up to be the love story of the year.
"I'm just thankful. It's an archetypal answer, but… could I say anything else? I came to the hotel late from drinking in Busan, and my fans were still waiting for me".
He lives in a house in Gyeonggi-do, and a Japanese woman bought the house next to his. When men see that type of fan, they usually say, "I wonder if their husbands don't say anything". This reporter asked what he would do if his future wife did the same thing with another actor. He immediately answers, "I would feel bad". He is also a typical Korean man.
The movie starts with a college professor Seok-yeong (Lee Byeong-heon) searching for his past love Jeong-in (Soo-ae) on a TV show program. They first met when Seok-yeong went to the countryside to do volunteer work as a college student. However, due to the agonies of the times, they broke up.
In the movie, Lee Byeong-heon plays the character's early twenties and sixties. "It's a serious movie,...| More
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Park Chan-wook's meditation on the meaning of revenge and its spiritual cost
Kyu Hyun Kim (qhyunkim)
"Lady Vengeance" ("Sympathy for Lady Vengeance") is marketed as the concluding chapter in Park Chan-wook's "vengeance" trilogy, a follow-up to "Sympathy for Mr. Vengeance" and "Old boy". The truth of the matter is that Director Park never intended the latter two films to be connected in any way, and indeed they are quite different in tone and content from one another. "Sympathy" is in my opinion one of the most terrifying and darkest films ever made in the history of cinema. It tanked at the Korean box office, despite rave reviews by many critics. The viciously dazzling "Old boy", however, not only turned out to be a smash box office success but also went on to garner stellar international reputation, winning the Grand Prix at the 2005 Cannes Film Festival. Now comes "Lady Vengeance", which in interesting but not always successful ways addresses some of the criticisms levelled...| More
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Actor 
